It is difficult to determine exactly when I began painting. At 15 years old I had an immense urge to draw. I remember the last two years of high school when I started to use one thick notebook with white pages that I bound myself instead of my class subjects. I didn’t take any class notes, but instead began to draw a diary.

My foremost inspiration was Enrique Oliveros, my art teacher and counselor in primary school. He was an actor that taught me to manage and express my emotions. He was a fantastic painter posessing a unique gift of realism. My second inspiration was Maximo Capecchi, a family member of my best friend. He was an unrecognized and underestimated artistic genius with an incredible graphic expression. He introduced me to an amazing world of creativity and knowledge. I have never met another person with a similar talent.    MORE INFO

Any acknowledgment of my work as an artist is positive and stands as another testament of my passionate devotion to my work.  For me, winning The Mural Project proved my artwork's concept connecting to the public eye. This praise fuels my momentum and impulse to further continue my hard work. On a funny side note, all my neighbors now know of me, because the Mural Project article in Houston Lifestyle and Homes Magazine was sent to every household.

I mostly paint on canvas, which almost always begins completely unplanned and without a final destination. On the other hand, when delve into other various media, such as sculpture, murals, and installations, my concept begins with a clear plan of the final product. My creations can take me weeks or years to finish, but I love to have this timeless nature to my passion.

Glyph Transition, with this series I explore the various evolutions of Glyph history. This concept delves into the complex process of their metamorphosis beginnning with the moment of their creation and ultimately to their final demise.

With each piece I try to instill a connection between the viewer and the concept, thus generating an emotional response from the observer. In order to engage the viewer's attention, I utilize attractive aesthetics to portray the concept of the glyph.